![]() This is where Kinckq stands out: clearly, its fonts are interrelated. When confronted with two, or all three Compagnie fonts, readers will not necessarily realize they are part of the same series. Compagnie I is not the condensed version of Compagnie II, for instance, nor is Compagnie III an extended variant – even though it is wide. Unlike a typical family, the widths are not three instances of a common idiom. Yet, it is nearly as protean. And then there is Compagnie. Like Kinckq, it is a small family inspired by display types from the 19th century.Ĭompagnie is perhaps better described as a collection of three fonts with different widths. Essay Text, by Ellmer Stefan for TypeTogether, isn’t as directly historically inspired. Although a font family containing just a serif, italic, and sans serif variant is novel ( check out Yanone’s Antithesis for a trailblazing example), all three Triptych fonts are workhorses. ![]() At Fontstand, you can find his Pyte Foundry’s Triptych family, for instance. The Kinckq family also includes a variable font.Įllmer Stefan’s type-design approach is multi-faceted. ![]() Neustadt am Kulm Via Isandro Caraballo 66 nepremišljenost gitterparameterĬalleja de Londres 65 skeiðarársandur unterbekleidung Rodolphe Kreutzer Above, you can see Kinckq’s three “static” styles: Right, Middle, and Left. Espléndidamente Caluire-et-Cuire programmäquivalenz Giovanni Cifolelli ![]()
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